Our clients say that we’re the best recording studio in Orange County
See what they have to say in their reviews and testimonials
See what they have to say in their reviews and testimonials
"Elliot is the man. He definitely goes above and beyond to make sure you get what you want out of your time in the studio. Very knowledgeable as well and will not hesitate to help with ideas, melodies, etc. if needed. My band has recorded here on 4 separate projects and have never been disappointed."
- MICHAEL AGREDANO (BLIND OCTAVIUS)
"Elliot is the best! I love how he makes the process relaxed and fun! I appreciate his creative input and musician's ear. I have enjoyed working with him on multiple projects and look forward to more in the future. As a vocal coach it's great to have a place to bring my students to record and help their development. I highly recommend!"
- BECKY IMOE (EMPIRE PERFORMING ARTS CENTER)
"Me and my band Dirty Luxe have been recording here for over a year now and I can honestly say we made the best choice here opposed to any other studio. Elliot really knows his stuff and continually makes it a wonderful experience working with him. Not to mention the variety of equipment and options offered here. If you're looking for a studio to record at you should definitely give this one a try!"
- CHRIS NOGLE (DIRTY LUXE)
"Elliot has a lot of talent and shares it generously. Equipment is outstanding. Environment has a great vibe. You get more than a recording session when you book time at Hear No Evil. Elliot has the best library of vids to pass the time while the drummer is setting up and tuning and banging away and making noise and dropping sticks and cursing and and and and.... Thanks for the help and enthusiasm on our first recording project."
- Joe Richardson (21)
"First of all... I love the vibe in this place! Hear No Evil sends off a very creative vibe from the moment you enter till the time you leave. The engineers are great as well and they have the BEST SNARE DRUMS EVER on these 6 shelves waiting to be used. The place has everything that you need and probably want, and yes a bathroom and kitchen for your convenience, and the best part is they don't charge you out the ass for quality recording and then go "ok well looks like your times up there sonny chap" and expect you to pay more or anything. It's laid back, chill but professional, and I'll definitely come back here for all my recording needs. Oh and they have this old school Hammond B3 that rips...and it's irie...good place to record for anyone."
- Dave Tab (Mad Tab)
"I had an amazing experience recording at Hear No Evil. They are very professional, but also maintain a relaxed, no pressure environment. Very comfortable studio, great price, awesome engineers!!! Couldn't be more happy with the final product!"
- Andrew Miller (Toxic Shock)
"I was so impressed with his studio and his skill, attention to detail, and ideas when I needed them. Elliot was meticulous in his approach to getting the sounds that I was looking for and succeeded time and time again. Patient and guiding was always the order of the day. I felt at ease and like anything was possible with my music. I really can't recommend Hear No Evil enough. I am very grateful for my experience there and specifically with my cd. You can't go wrong. You will love it. Best of luck to all of you."
- David Dykstra (Royal Half Circle)
"Very open and relaxed environment. Easy and productive recording process with creative ideas and great sound quality."
- Rick Hausam (Innerday Alarm)
"As far as gear goes, you are set at Hear No Evil with some of the best sounding instruments money can buy. Drummers will instantly fall in love the granite snare drum (made by Elliot himself) and the plethora of vintage and modern kits, each particularly suited for every possible genre of music. Guitarists will be able to choose from a variety of vintage Les Pauls, Stratocasters, and a wide array of vintage amps, each with some of the best sounds of their makes and models. Bassists will be excited at the prospect of using vintage Fender equipment as well as a modeling program to give your bass a larger array of tone from Jamerson to Hoppus. Vocalists will revel in the possibility to create whatever tone they are hoping to make with each individual track."
- Jesse Fahmi (The Divine)
"I've mastered a number of projects that were recorded at Hear No Evil and the mixes have all been excellent."
- Barry Wood (Other Room Mastering)
"Had a wonderful experience recording my band's demo here. We actually just booked more time to break ground on our full length album next month! Anyhow...Extremely relaxed work environment - Elliot knows how to time manage and get good takes out of us. We never felt like we were racing the clock. Even on the small budget we had for our demo."
- Evan Tiller (Razor's Edge)